Now I have to admit, when I was more confused about racism, and even now I suppose, the Rush Hour series was always up there in the list of my favorite movies. However, when I watched Rush Hour III (pretty good movie), I had a third eye looking out for white supremacist programming, and I found loads.
Lets start with just the main characters. Detective Carter (the black guy), played by Chris Tucker, is a loud mouth, ignorant, reckless, hypersexualized buffoon. There is evidence throughout the Rush Hour series that Tucker consistently sexualizes any and everything, even towards females who are trying to assault or kill him. The raping black buck Detective Carter tries to seduce practically every woman he comes across in all three movies. (I think it is also important to note that the sexual passes Detective Carter makes always seem to be aimed at light-skinned women, a refined attempt, I suspect, by the writers to uphold the white beauty ideal while warning their white audience at the same time that niggers like Chris Tucker are after the sweet white nectar, and only when there are not available (like the whole Rush Hour series), he then will settle for a light skinned woman.
Moving on, the other protagonist of this series is Inspector Lee (played by Jackie Chan). If suspected racist/white supremacists try to fool black and brown people by saying that Asians never face the misfortune associated with alleged "racism" like black or brown people do, so "racism" is a figment of our imagination, pay attention to this. Inspector Lee is presented as a naive, passive, and effeminate male. Even though he can basically kick anyone's ass in the whole movie, he gets verbally bullied consistently (especially by white people, like the leader of the world court, more on him later). Lee is grossly naive, as he is always trying to save the life of people who are trying to kill him (his brother Kenji, for example). I guess this could be seen as virtuous, but it also could be associated the with the lack of common sense.
Now, on to the rampant racism in the plot. The first thing is beatdown and anal rape of the protagonists by suspected white supremacists upon their arrival in Paris. Think of this as the consistent beatdown that nonwhite people receive at the hands of racist man and woman every day of our lives.
The next big thing I noticed, is the interaction between the victims of white supremacy (Carter and Lee) and the white cab driver, who immediately says "I don't serve your kind", while pointing to Detective Carter. When Carter responds, the cab driver covers his ass by saying Americans, and goes into a sermon about how "Americans" are the most vile, violent, disgusting creatures on earth.
Now wait one God Damn Minute.
America has committed tons of atrocities, namely the A-Bomb dropping on nonwhite Japan, chattel slavery (which ironically France also committed, probably more ruthlessly), the extermination of the native americans, American Apartheid, the alleged "war" in Vietnam, advocating Eugenics of nonwhite people, political suspected racist interference in Central America, and the unlawful occupation of Iraq most recently. I don't recall one black person who ordered any of that shit to happen. However, what I do know, is that black males, especially ones in America, are portrayed consistently as vile, shameless, ruthless criminals, even though suspected white supremacists are 99% of the time responsible for the major atrocities that happen globally. The comment by this taxi driver seems to imply that he really doesn't want to offer his services to black males, because they are all of the things that he said about "Americans" (whatever that means). I'm sure there is a word for this deceptive of technique, but I don't know it.
Shit gets deeper.
The next example in the plot that I am about to highlight is in my opinion, white supremacists at their slickest. This tactic involves deceiving nonwhite people, and reinforcing in white people the defense that "anyone" can be racist (unless they're white, of course). When Inspector Lee runs into his foster brother, Kenji, leader of a criminal enterprise, they have an exchange where Lee and Carter have to run for their lives. When arriving back at their hotel, Carter questions why Lee didn't apprehend or neutralize Kenji, and a disagreement ensues where Lee tells Carter "you're not my brother".
So let me get this straight.
So who in their right mind would select a foster sibling who is
a) A criminal
b) Just tried to kill you and your friend
over a friend they have known for years?? What is extremely interesting is that Kenji is a Japenese name, so in theory, Kenji is not only unrelated to Inspector Lee, but not even the same nationality or alleged "ethnic group" of Inspector Lee. What is more interesting is that so-called "Japanese" in the past century have been know for their white-like domination over other nonwhite nations, presumably in my opinion, from internalizing white supremacist idealism much more quickly than any other nation.
Remember, white people wrote this movie.
The message is clear. Detective Carter, you are a black person and Inspector Lee is a so-called "Asian". It is "natural" to have blind loyalty to your own "race" (Kenji) over a friend you have known for years, even though they have similar interests, and a seemingly genuine friendship ( kudos to the actors ). That is unless, you're showing deference to a white person or someone higher up on the racial ladder than you. This seems to be a slick attempt by the white people who wrote this movie to imply that "racism" is natural, harmless, and rational.
What is most ridiculous about this suggestion is that scientist have proven that genetic differences have the most variances between individuals, then between national/regional groups, and lastly between continental people groups (so called "races")
After our heroes cool off for a bit (they have a major argument in every installment of this series), the viewer can see that they are quite fond of each other (no homo). But again, the white supremacists who wrote this movie take time to illustrate this in the most racist manner possible. There is a shot of Lee watching a old movie on TV with images of so-called "primitive", "tribal", black people. When Lee sees this image on TV, he immediately thinks of Detective Carter and misses him (no homo). He then calls room service to order fried chicken.
This is self explanatory.
Next, there is a shot of carter out and about in Paris, where he sees a movie clip with a small Asian boy (note, a boy, not a man) and thinks of Lee.
Ugh.
Later on down the line, a nonwhite female good guy (Shy Shen) joins Lee and Carter for positive ends (no problem with this). There is a mild sex scene between Carter and the nonwhite female (i believe this is a black female, but I could be incorrect, perhaps she has a white parent, not sure). There was nothing really wrong with the scene other than the hypersexualization of black people that I mentioned, but that could be a reach, the two seem to genuinely like each other (for now). But the scene gets interrupted by chaos. (This could be a reference to the chaotic nature that swirls around nonwhite male-female relationships, and they really can't exist without drama).
The nonwhite female has a "code" tattooed on her head with the name of all of the Asian Gang bosses (she does this for honorable purposes, not knowing she will be killed once what the Gang bosses want to be communicated is communicated). The young lady seems to be some kind of homing pigeon to deliver a message, not a human being with thoughts and feelings. This is the dehumanization of women by non-white males, victims of racism.These victims, The Asian Gangsters in this case, even with their guns and muscle, still have to seek weaklings (other nonwhite males with less resources(Carter and Lee), nonwhite females (Shy Shen), and nonwhite children (Soo-Yung) ) to dominate because the white supremacist controls even the toughest, most ruthless, gangster, rich nonwhite person (more on this in a little bit).
Anyway, the code is tatted on Shy Shen's head, so of course she has a wig on. When she removes her wig, Carter (remember the sex scene), flips out and calls her a "damn man" because she hasn't conformed to the white beauty ideal (long light-colored slightly curled locks of hair). C'mon girl, you know that shaved head is too ethnic for even a black man to like you (a dark buck at that, you know he don't want no dark little nappy headed pickaninnies runnin' around), no matter how pretty you are . (She is gorgeous).
So get that perm, sew that weave, glue them tracks, and fit that wig.
SMH.
After the 3 make their escape, they seek refuge at the helpful white person (cab drivers) house. The cab driver's wife is furious and lets her husband know that she does not want "those people" in her house, because they are "dangerous". Subliminally, are they dangerous because they are all nonwhite people, and nonwhite people seeking justice?? Does this pay homage to Dr. Welsing's theory of white genetic annihilation and that nonwhite people reproductively are a threat to white people's survival?? Perhaps, but the outward hostility towards victims of white supremacy by this suspected racist woman should be noted.
Towards the end of the movie, the 3 heroes go to see the leader of the world court, a suspected white supremacist. Allow me to take a second to analyze the above statement.
ROTFLMAO
However, This is very important
The alleged practitioner of justice, a suspected white supremacist, is actually the one running the Asian Cartel/Criminal enterprise. Note, I said this is EXTREMELY IMPORTANT. The suspected racist in charge, alleged practitioner of justice, is the main cause for the injustice of this whole movie.
Draw your own conclusion from that.
Woah.
He tries to get them killed, which brings along the climax of the movie. I won't go too much into that, its mostly things that I have already covered.
I guess the last few things of note in the plot was that the leader of the world court is still hanging around after Lee, Carter, and Shy Shen attempt to produce justice (getting the people who need help the most constructive assistance (Soo-Yung in this case)). He attempts to kill them but is shot by the trusty cab driver.
White people to the rescue.
I don't know what to draw from this, but I suspect it confuses nonwhite people who will say, "This guy saved the day, lets forget about when he and his wife practiced white supremacy towards victims". Don't get me wrong, he did a good thing, but this seems to be escapism in where you get away from the fact that a white person can save your life, toast it up with you in the bar, spit fire in the booth with you, produce/carry your offspring and still practice racism/white supremacy.
The very last part was the best part of the movie. The inspector, suspected white supremacist, who beat and anally raped the 2 victims at the beginning of the movie shows up talking nonsense. Lee and carter punch the suspect in the mouth at the same time, however that is nullified as they proceed to dance like buffoons as the credits roll through.
This above thing is a valuable lesson in countering racism. Nonwhite people, no matter what your classification, have to work together in punching racists in their mouths simutaneously to eradicate the system of racism and replace it with a system of justice.
While movies are meant to entertain, I can't help but ponder whether the white people who produce these films make a conscious effort to practice racism in the movies they make. Rush Hour III is an example of extremely refined white supremacy in our globalist, capitalist, multicultural, white supremacist society. This movie could easily confuse nonwhite people on who the perpetrators of racism are, and just totally confuse nonwhite people on what racism actually is. And I implore nonwhite people, before you get mad at Chris or Jackie, remember,
White people wrote this movie
RWSWJ
No comments:
Post a Comment